A photographic study of architecture, landscape, memory and human presence.
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Iceland’s geothermal landscape blurs the boundary between natural and constructed systems. Heat, water and mineral matter reshape the terrain, while pipes, roads and industrial structures become part of it. The series looks at this coexistence without separating infrastructure from landscape.
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Barbican is approached here less as an architectural landmark than as a space experienced from within. Scale, repetition and raw concrete create a landscape that can feel both protective and isolating. With human presence reduced, architecture becomes the subject of a quieter psychological reading.
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